This close framing concentrates on the worn blue vise fixed to a dark bench. Two hollow sections lie in the foreground, with a hammer on the right and a wire brush at the edge. Other clamps, bars and plates fade into the workshop shadows.
Scratches, dust and uneven reflections give the work surface a tactile presence. The street almost disappears, leaving the heavy tools and measured lengths of metal on the bench to carry the composition.
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